Tuesday 28 July 2015


BUDAPEST


BUDAPEST
by Billy Collins


My pen moves along the page

like the snout of a strange animal
shaped like a human arm
and dressed in the sleeve of a loose green sweater

I watch it sniffing the paper ceaselessly

intent as any forager that has nothing on its mind
but the grubs and insects
that will allow it to live another day

It wants only to be here tomorrow

dressed, perhaps, in the sleeve of a plaid shirt
nose pressed against the page
writing a few more dutyful lines

while I gaze out the window

and imagine Budapest
or some other city
where I have never been

Monday 13 July 2015

Nightclub ramblings

Hello

As part of learning about Billy Collin's poetry, our teacher encourages us to find creative ways of illustrating and analyzing it. So for this post I decided to take one of his poems 'Nightclub' and write a monologue based on what is written.

Enjoy!!1



 
Have you heard of such lyrics?  From J. Cole to the good ole' 80s, I mean this "is a theme that keeps coming up in songs and poems". Like every single love song has this and "there seems to be no room for variation"! It get's annoying after some time - no scratch that; it has ALWAYS BEING annoying!
 
Why can't people be original? "I have never heard anyone sing...."


 
 
Am pretty sure “this notion has surely crossed the minds of women and men alike” but why is no-one singing it!
Why can’t I go singing I AM beautiful? (Because I sure am!)
And why do I have to be the fool?
Why can’t you be the fool even though “you are so beautiful”?  Or “another one you don’t hear” is “you are a fool to consider me beautiful”, though I’m pretty sure “that one you will never hear, guaranteed”. It’s an unfair world of poetry and love out there. One is expected to write out these entire ode’s and sonnets and lyrics in praise of someone else, but no one wants to call themselves beautiful (cough cough) and admit HE IS the fool. Except Kendrick Lamar in his song ‘I Love myself’ – he knows what Collins and I are on about.
The other afternoon “for no particular reason”, I was “listening to Johnny Hartman”. You know the American Jazz singer who specialized in ballads? No? Doesn’t ring a bell?
Well, that’s good because despite having a soulful yet “dark voice”, he is just another of those musicians who base their entire music on the “concepts of love, beauty, and foolishness” thinking “no one else” will. His music is beautiful – I’ve got to admit! It “feels like smoke curling up from a cigarette someone left burning on a baby grand piano” (in the words of Billy Collins, not mine). But the fact that he is all about calling me the fool again like in his song You Are Too Beautiful, just doesn’t make it click with me with me. I don’t want to join all those “beautiful fools” who have “gathered around little tables to listen”. Some of them “with their eyes closed” and “leaning into the music as if it were holding them up” look pretty foolish if you ask me.
Right now I sound pretty cynical and not even the “loose ice in a glass” will help me slip into a “rhythmic dream”. It’s way past midnight and with all this “foolish beauty” I have “no desire to go home especially now when everyone in the room is watching the large man with the tenor sax”. All we need is Stevie Wonder and Louis Armstrong to accompany the jolly man. He’s quite captivating…oh wait a second what is he doing? He just moved “forward to the edge of the stage” and handed “the instrument down to me and nods that I should play”. Me? And because I am the beautiful fool “I put the mouthpiece to my lips and blow into it with all my living breath”. Maybe this is the chance to sing my kind of song.
 So for what it’s worth, here is my “long bebop solo” ‘Nightclub Fool’s’ – make sure it reaches the Billboards Top 100!
 
We are all so foolish
So dam foolish
We have become beautiful without even knowing it.