TRAVELLING WITH YOUR MIND THROUGH BILLY COLLINS.
Ex poet laureate Billy Collins is not a deficient poet who is
going to go on about one theme like religion or women or maybe even
historiography of an area. What makes Billy Collins so special especially in
his collection of poems, Taking off Emily Dickinson’s clothes, is his robust
manner of themes. The theme that
captured me the most and furthermore most consistent in all his poems is
travel.
Am going to focus on a number of poems by Billy Collins, those
that directly point to literal travel and contemplative poems.My perspective of contemplating is travelling with the mind, because for that
one precise moment you think of that specific place your mind travels to that
place and the end result is being there mentally but not physically.
Walking across the Atlantic, is a unique example and why I am
going to discuss that first and quote it in its entirety.
‘I wait for the holiday crowd to clear the
beach
before stepping onto the first wave.
before stepping onto the first wave.
Soon I am walking across the Atlantic
thinking about Spain,
checking for whales, waterspouts.
thinking about Spain,
checking for whales, waterspouts.
I feel the water holding up my shifting
weight.
Tonight I will sleep on its rocking surface.
Tonight I will sleep on its rocking surface.
But for now I try to imagine what
this must look like to the fish below,
the bottoms of my feet appearing, disappearing.’
this must look like to the fish below,
the bottoms of my feet appearing, disappearing.’
In the first stanza Billy Collins stresses on the
importance of being alone, in most of his poems he seems very reclusive. He
waits ‘for the holiday crowd to clear the beach.’ Billy Collins has
consistently stressed on the importance of the first sentence in all his poems
whenever he is interviewed. The significance of being alone is then explored
with the contemplating and mind travel in the second stanza. Furthermore the effect
solitude has on one's imagination. It seems as if he wouldn't be able to contemplate if
the ‘holiday crowd’ were still in the water. But with their exclusion he
manages to travel, he manages to ‘walk across the Atlantic, and think about ‘Spain,’
or even search for marine life, ‘whales and waterspouts.’ The third and final
stanza Billy Collins talks about the importance of perspectives. He notices
that even when contemplating one always includes the perspectives of others and
that they play a vital role. Which may make you cautious of your travel or
influence you negatively and you may stop travelling. However it can influence you positively and you continue
your travel with the energy that was perhaps maybe lacking before.
Billy Collins also travels with the mind in the poem, Fishing on the Susquehanna in July. The structure of the poem is neat with
three lines per stanza and the first or last line of each stanza are usually
longer except on the second, fourth and fifth stanza. Which brings to mind the
perspective of one travelling on a focused mind with what he has in mind and on
occasions he zones out and loses the itty bitty details that influence the
imagination of one reader. Just as how the poet ‘blinked and moved on,’
affecting his image of fishing on the Susquehanna River. The contemplating
nature of the poem is so realistic that one can simply think that the poet
really has been to fishing on the Susquehanna. With the image of the, ‘blue-cloud
ruffled sky/ dense trees along the banks/and a fellow with a red bandana/…small,
green/flat bottom boat/holding the thin whip of a pole/’ One can simply forget
that Billy Collins is looking at a painting in ‘a museum in Philadelphia.’
Through this poem Billy Collins directly addresses the reader and due to this
it is so easy to immerse yourself into his image and join him on the
Susquehanna. A similar poem to Fishing on the Susquehanna in July, is American
sonnet, where Billy Collins once again travels with his mind. The structure is
similar with a neat form of three lines per
stanza and the same sort of indented formula in his writing, where except on a
few occasions the first or the last line are usually longer than the middle
line, depicting this sort of a concave shape on each stanza.
To add on in this poem Billy Collins talks about the
American. How an American doesn't,’ speak like Petrarch or wear a hat like Spenser.’ Upon the first reading one can easily say that it’s just a poem of
the definition of the normal American and how he carries himself. However with
Billy Collins there’s never just a poem. In this poem he contemplates/travels with
the mind and compares the American to ‘Petrarch’ an Italian scholar and poet in
renaissance Italy. Moreover he compares an American to ‘Spenser,’ a most likely
British fashion mogul. TO add on through his contemplating he compares the
normal Joe American to an ‘Elizabethan heliocentric eyes.’ Billy Collins just
as similar as he draws the reader into his contemplations in, ‘Fishing on the
Susquehanna’ he does the same in this poem. Where he fully douses the reader
into travel then brings him/her back to reality when he hints to the reader
that he was,’ walking back from the mailbox.’
To add on Billy Collins not only travels with the
mind. In some poems Billy Collins portrays himself as a globetrotter (though I
think he is more of a geographical bibliophile.) The poem I’ll discuss of
this kind is Strange lands, where he discusses a tourist in Europe. The form
of the poem is, it has five stanzas and the stanzas range from three lines to
six lines. Its form isn't of a great significance to the poem and I think Billy
Collins purposely played it down. Even though as a reader you can clearly tell
that Billy Collins is telling the poem in a second person perspective. He
focuses on the tourists and depicts contemplative but
not to a foreign land to a land he knows of, a land he has travelled to and he
wants the reader to travel with him not in his view as he usually does, but in
the view of a physical companion. Thus the consistent use of plurality,’ we,
others, friends, there we are.’
End of the line, the focal point of this theme has influenced me tremendously as a
reader. Billy Collins writes poems about his life, about his contemplations,
and for some reason they seem profound. I think through doing so Billy Collins
directly relates to a vast number of readers because we all travel with our
mind. Is it as profound as Billy Collins puts it? I agree it is just as
profound and Billy Collins is the one who puts that profoundness into words when we
fail to. I personally think Billy Collins is a great poet for being able to
relate to his audience in such a manner.
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